Category: Directly Indie

This blog has a dedication to the unsung heroes of comics; Hence Directly Indie. For every comic that you can find in the corner of a comic shop; to the archives of Comixology’s Submit program we look at indie comics old and new.

All subjects in discussion must have these requirements.

  • Publishers must not originate from Marvel, DC, Image, Dark Horse or any publisher who has ties to larger organizations and conglomerates.
    • Comics re-publishing in any of these companies are viable however.
    • Manga can also be in; so long as it does not come from the major conglomerate publishers. Other countries with major publishers but small presses are okay too.
  • Can include comics from companies that shut down.
  • Webcomics are viable.
  • Comics that come from licenses are not viable.
  • Comics and characters who originate from Indie Comics but get adaptations from major media are also not in. No TMNT or The Tick.

To differentiate between mainstream, alternative, and indie remember these rules. Mainstream comics have a recognition beyond the comics including TV and movies. Most of them also have the backing of conglomerates. Alternative covers topics besides mainstream’s usual genres like superheroes. However they also have deals to make with other studios and can have financial assistance from companies in derivation from them. Independents (indies) have no corporate backing, make use of direct market, social media, and venues they do not own.

Day and Age: Year One – A Genuine Look At Quarantine

Day and Age, is yet another request to review a comic directly from a creator. Surprisingly, it’s not for a Kickstarter but an already completed […]

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Plainer Jane: Discover The Challenge Of A Freelance Assassin

Plainer Jane is an indie comic series I have interest in. From Manchester UK’s Broken Face Comics comes a surprisingly relatable depiction of freelancing; I’m […]

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Reburn: The Proven Dangers of Premium Corporatization

Reburn is the story of how a YA hero becomes a product that benefits a new dystopia. This request from creator Alyson Shelton and producer/editor […]

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Pyrate Queen: A Most Powerful Depiction of Empowerment

Pyrate Queen comes from the overlooked writer of comics’ British Invasion, Peter Milligan. Along with the Victorian colors of Tamra Bonvillain and presentation of Adam […]

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Monster Kill Squad: How To Normalize Oddities

Monster Kill Squad from Bad Idea leaves an odd impression. You have the monsters of people’s nightmares and the macho soldiers to combat them. But […]

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Hero Trade: How To Make A Bad Idea Profitable

The Hero Trade isn’t just the name of the most famous bad idea. It’s also a meta commentary on modern superhero consumption. Throughout most of […]

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Fletcher Cross: An Anthology In Memetic Mutation

Fletcher Cross: The Multiverse Awaits is a request review for a Kickstarter campaign starting August 3. This anthology series takes influence from Golden Age science […]

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The Lot: A Guaranteed Bad Idea For A Movie Pitch

The Lot comes from Bad Idea, after a period of delays. This time, Marguerite Bennett of Animosity and Insexts (and Angela) fame works with Renato […]

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Slay Bells: How To Show Santa Breaking Bad

Slay Bells is a Christmas in July special from Bad Idea. Santa snapping is practically a sub-genre of itself. In comics alone, the most memorable […]

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Ash: How The Star Of Event Comics Burned Out

Ash is the premiere superhero franchise of Event Comics, popular enough to crossover with DC. But who is Ash? More importantly is there a chance […]

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